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Jen Stark in Wired Magazine

The cat likes to look at her worm holes.
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Jen Stark draws inspiration from fractals, wormholes, and MRI scans. Oh, and dead bodies. "My sister is a doctor, and she brought home these cross- sectional anatomy textbooks," says Stark, who creates paper sculptures that are coldly mathematical yet exuberantly organic. "Seeing a body displayed like a flip book was grotesque yet mesmerizing."

Stark's pieces are indeed hypnotic: Coriolis Effect (below) is named for the force that rotates natural systems like hurricanes. Piece of an Infinite Whole (left), a 4-foot-deep backlit recess, is based on the artist's fascination with space. Very Doctor Who.

We expected Stark to reveal that she uses CAD software and some kind of tricked-out handheld laser to construct her 3-D forms, on exhibit this fall at Heaven Gallery in Chicago and in December during Art Basel Miami Beach. Nope. She just sketches a design, grabs her X-Acto knife, and starts to slice.

Link to Wired dot com

Jen Stark in ReadyMade Magazine


Hey Look!
In the September issue of ReadyMade Magazine in the RE-View section there is an article about Jen Stark and it mentions her show here at Heaven Gallery.
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Construction paper and glue hardly evoke visions of fine art. But over the past three years, sculptor Jen Stark has transformed these elementary-school staples into intricate three-dimensional works. While the method itself is simple, the results are astoundingly complex - straightforward shapes are systematically reproduced with slight changes in size or position. It's a process Stark has labeled "evolving repetition," a way of creating hypnotic, rainbow-hued vortices that challenge the constraints of the artist's canvas.

"It's labor-intensive", says the Miami-based 23-year-old. "But I like using such simple materials in a way that they exceed what people think they can do."

Stark began working with paper during a five-month stint in France, where a study-abroad program with a two-suitcase limit and a dismal exchange rate forced her to be resourceful in her choice of materials. "Paper was all I could afford," she says. "So I bought a stack and started cutting, and the sculptures were born."

See Stark's work at Chicago's Heaven Gallery from Sept.14 - Oct.7.

- Jen Trolio (ReadyMade Magazine)

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