EventsSunday March 28, 2010
Start: 7:30 pm
End: 9:00 pm
Selected songs by Claude Debussy and Gabriel Fauré, arranged for voice and chamber ensemble Monday March 29, 2010
Wednesday March 31, 2010
Start: 8:30 pm
End: 11:30 pm
Black Forest folk at Heaven Gallery brings you: Bruce Lamont Nathan Bell "In recent years this elder statesmen of Baltimore music (one-time bass player for Lungfish) has come to prominence for his transcendent instrumental expeditions on banjo, as well as his Human Bell project with Arbouretum’s Dave Heumann. Bell explains the appeal of solely instrumental compositions simply: it’s all about “room.” He laments that vocals can often make a song feel confining to the listener, and the extra space for interpretation and musical exploration is appealing to him. Leaving the imagination wide-open for one to wander wherever the musical spirit takes you is key to his approach. Baltimore label West Main Development captured Bell’s solo music in most glorious form with its release of a intricate live performance at the 2640 Space in 2008; the result is perhaps the most expansive and epic EP I’ve ever laid ears upon." myspace.com/osmodiusbell myspace.com/humanbell + M. Takara 3 A delightful mix of brazilian rythms,jazz, experimental electronica, hip hop, and rock http://www.youtube.com/watch?v=UCWJofbzZoo Suggested donation Friday April 2, 2010
Start: 10:00 pm
PROTEST HEAVEN jazz and improvised music series NICK BROSTE TRIO Nick Broste - trombone + KIMMEL/LABYCZ/ROSALY Jeff Kimmel - bass clarinet 10pm, donation suggested Saturday April 3, 2010
Saturday April 10, 2010
Start: 10:00 pm
PROTEST HEAVEN jazz and improvised music series BLOCK/CARTER Olivia Block - electronics + HAPTIC with ASIMINA CHREMOS Joseph C. Mills - electronics + BLOCK/GENETTI/SONDERBERG Olivia Block - electronics 10pm, donation suggested Friday April 16, 2010
Start: 10:00 pm
CHICAGO SOUND MAP 2010 Friday, April 16 The Ensemble Boris Hauf - Tenor sax, Soprano sax 10pm, donation suggested JUDITH UNTERPERTINGER Juun (*1977 in Austria) studied Composition and Piano with Christoph Cech, Gunter Waldek and Martin Stepanik at Anton Bruckner University Linz, and Philosophy with Michael Benedikt at the University of Vienna. Working as a composer, pianist and performance artist. Main research interest is the realisation of musical-performative architectures, particularly mechanical, psychological and urban conditions of form. Research of relations between various artforms, such as music, dance and fine arts. List of works comprises ensemble pieces, short operas, sound installations, photographs, drawings and performances. Releases on renowned and independent labels. Commissions for compositions and performances by Janus Ensemble, ORF (Austrian Broadcasting Corporation), Klangspuren Schwaz, Festival Echt/Falsch, 4020-Festival, Soundings and Linz09, amongst others. Cooperation with ensembles of various styles & characteristics, from delicate improvisations to industrial/noise: unterPritperTingerchard, duounbre, fruitmarket gallery, don@u.com. 2006 One-year stipend at SKE. 2007 composer in residence at ARGE Komponistenforum Mittersill, Austria. 2010 composer in residence at London Metropolitan University, Department of Music and Architecture. Currently lives and works in London, UK. ABOUT CHICAGO SOUND MAP Chicago Sound Map began in 2007 as an annual new music festival taking place in multiple venues throughout the city of Chicago. Each year a selection of composers is invited to devise musical systems that focus on the dualism of composition and improvisation. A large ensemble of experienced improvisers interprets each composer’s proposal. Chicago Sound Map was initiated by Boris Hauf and is curated by Boris Hauf, Brian Labycz, D Bayne & Michael Hartman. The malleable relationship between music and the ensemble is realized best in process oriented rather than goal oriented work. The transient nature of the ensemble helps framing and reassessing the working process of composer and the ensemble. Compositions understood as structural and/or formal guides to improvisation rather than content orientated approaches have had bigger chances for success. Composers understanding that dynamic and composing accordingly have, quite frankly, been more fun to rehearse, play and listen to. Each composition has limited rehearsal (depending on the amount of composition from 90-180 mins per piece & an extended soundcheck). In 2008 Kuro Neko Music released the CD Chicago Sound Map Performs Compositions by Olivia Block and Ernst Karel which documents that years performance at the Chicago Cultural Center. Saturday April 17, 2010
Start: 7:00 pm
End: 10:00 pm
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CHICAGO SOUND MAP 2010 Saturday, April 17 The Ensemble Boris Hauf - Tenor sax, Soprano sax 10pm, donation suggested JEB BISHOP Chicago-based trombonist/improviser/composer Jeb Bishop has been active in new/jazz/improvised music since 1993. Originally trained as a classical trombonist, he was also active in underground rock bands in North Carolina in the 1980s. He has attained international recognition for his work with groups including the Vandermark 5, the Peter Brötzmann Chicago Tentet, Globe Unity Orchestra, and Atomic School Days, among others. His own projects include the Jeb Bishop Trio, the collaborative quartet The Engines, and Lucky 7s. His composition for Chicago Sound Map 2010 will focus on the dichotomy/sympathy between electronic and acoustic instruments, the notational strategies appropriate to each, and the traditions of improvising that have grown around each. Saturday April 24, 2010
Start: 8:00 pm
End: 10:00 pm
Fashion celebrates 101 years of Futurism with reconstructed vintage by Renovar. Doors open at 8pm Start: 10:00 pm
PROTEST HEAVEN jazz and improvised music series JOZEF VAN WISSEM Jozef van Wissem - lute (Amsterdam) + HERESY OF THE FREE SPIRIT Jozef van Wissem - lute Che Chen (true primes) & Robbie Lee (howling hex, baby dee) are Brooklyn, NY based multi-instrumentalists who have been steadily and intensively developing their unique approach to free improvisation over the last several years. Using a shifting constellation of instruments that has included bass clarinets, baroque recorders,reed and pipe organs, renaissance keyboard instruments, flutes, saxophones, bowed and plucked strings, little drums, bells, tape machines and their voices, Che Chen and Robbie Lee create earthy, slow moving improvisations that are informed as much by the ethnic folk traditions of the world as they are by 20th century composition and improvisation. Their music places precedent in listening, attention and dynamic interaction in the moment. Chen and Lee have released an LP and several cd-r's on their own Telegraph Harp imprint. 10pm, donation suggested |
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