Heaven Gallery

3rd Annual Chicago Calling Festival
Saturday, 10/4, 7pm

Carol Ng-He / AJ Viola

Steve Barsotti / Eric Leonardson duo -- improvisation with invented instruments & electronics

Hanah Jon Taylor (saxophones) & Tom Abbs (upright bass)

“Post-Katrina Stories” -- a film by Stan West

Jeb Bishop -- trombone
Craig Taborn -- piano
Fred Lonberg-Holm -- cello
Tim Daisy -- drums

Heaven Gallery
1550 N Milwaukee, 2nd fl
Chicago
(Blue line to Damen)
$10 suggested donation

The Third Annual Chicago Calling Arts Festival (CCAF3) takes place October 1-12, 2008, featuring Chicago-based artists collaborating in performances and projects with artists living in other locations -- both here in the U.S. and abroad. These collaborations will be prepared or improvised, and some performances will involve live feeds between Chicago and elsewhere.

Among the scheduled projects are: a Chicago-based musician/composer collaborating with a composer from the Philippines, Chicago-based poets connecting over the radio with poets from Hawaii, and a Chicago-based musician collaborating with a British visual artist. Venues for CCAF3 will include Elastic Sound & Vision Gallery, The Velvet Lounge, Black Rock Pub & Kitchen, Heaven Gallery, Little Black Pearl Art & Design Center, WNUR (Northwestern University), Peter Jones Gallery, 32nd&Urban Gallery, AV-aerie, Café Mestizo, and other locations.

For more information about Chicago Calling, please visit www.chicagocalling.org

PROTEST HEAVEN Saturday, 10/18:

Jorrit Dijkstra's Flatlands Collective

Jorrit Dijkstra - alto saxophone, lyricon
James Falzone - clarinet
Jeb Bishop - trombone
Fred Lonberg-Holm - cello
Jason Roebke - bass
Frank Rosaly - drums

10pm, 2 sets

Heaven Gallery
1550 N Milwaukee, 2nd floor
Chicago
(Blue line to Damen)
Donation suggested

The Flatlands Collective brings together the remarkable Dutch alto saxophonist and composer Jorrit Dijkstra with some of Chicago’s most interesting improvisers. In Chicago, one of the most important musical cities in the US, he found a common ground in a more trans-national way of improvising, using open forms, and a looser interpretation of the American jazz tradition. Dijkstra says: ”I believe that the landscape in which you grow up has an effect on how your music sounds. This is what’s so interesting about jazz: musicians in New York, Barcelona, Moscow, Shanghai or Addis Ababa play this music, but there is always a distinctive local interpretation.” And he adds: “I called this group The Flatlands Collective after the landscape heritage I share as a Dutchman with the Chicago players.”

Dijkstra provides most of the compositions, in which he strives towards a balance between composed material, clear guidelines for musicians to improvise, and openness for the most adventurous kinds of improvisations. The group has developed a way of improvising that blends Chicago-style free jazz, texture-based minimalism, and melodic layering into an eclectic yet organically coherent repertoire. Dijkstra’s use of the Lyricon (a vintage analog wind synthesizer from the 1970s) and Fred Lonberg-Holm’s amplified cello adds an electronic touch to the rich variety of ideas, structures, and textures of the group sound. The Flatlands Collective has released their debut CD Gnomade in December 2006 on Skycap records, which has received 4 stars from Downbeat Magazine, and much critical acclaim by the international press.