Recital | Henry Zheng, Dmitriy Melkumov & Ilya Vanichkin

Saturday, April 16, 2016 - 7:30pm

Recital featuring Henry Zheng, Dmitriy Melkumov & Ilya Vanichkin

works by Brahms, Dvorak, Vitali, Kreisler, Rossini and Shostakovich 

Henry Zheng dedicates himself to making Western art music accessible and relevant to all audiences, with a heavy bias towards the repertoire of the violin.  Henry also has a special interest in cross-discipline collaborations and performing in diverse settings – recent performances include a fashion show, a live liquid latex-painting event, and a candle-lit midnight performance in a renaissance era church.  Born and raised in Sioux Falls, South Dakota, Henry moved to Chicago in 2010 in study with nationally renowned pedagogues Olga Kaler and Janet Sung at the DePaul University School of music.  Other notable teachers include Desirée Ruhstratt, Anne Shih, and Aurelien Pederzoli, as well as performances in master classes for Midori Goto and Almita Vamos.  Henry has performed all over the world, notably as a soloist at the Casalmaggiore International Music Festival in Casalmaggiore, Italy, and the Vegas Cultural Exposition in Zhu Hai, China.  He has also toured the continental United States extensively as a featured violinist with the Eric Genuis ensemble.

Dmitriy Melkumov holds degrees from the Jacobs School of Music at Indiana University and the DePaul School of Music, where he studied extensively with legendary violinst Ilya Kaler. He began playing violin at the age of 7. In 1994, Dmitriy was invited to attend the Uspensky Music School in the city of Tashkent, Uzbekistan, where he joined the studio of Professor Nathan Mendelssohn. In 2001 Dmitriy immigrated to the United States.  Shortly after, he made his US performance debut with the Ars Flores Symphony Orchestra, playing the Tchaikovsky Violin Concerto. The following year Dmitriy was a winner of the New World Symphony concerto competition and most recently he won DePaul University Concerto Competition. 

Ilya Vanichkin, born in Moscow, earned his Bachelor's degree at the Moscow Conservatory, Master's degree at Eastman School of Music, Performer's diploma at the Jacobs School of Music at Indiana University in Bloomington, IN, and Artist's diploma at the Ernestine M. Raclin School of the Arts at IU South Bend where he was a member of the Toradze Piano Studio.  Currently, he is pursuing a Performace Certificate at DePaul University School of Music. Among many awards, Mr. Vanichkin is a prize winner at Citta di Barletta," "Maoro Paolo Monopoli Prize" (Italy 2006), "Corpus Christi" (United States 2007) and "Chautauqua" International Piano Competitions, IU South Bend and Andrews Concerto Competitions in 2012. He has appeared in many concerts and recitals throughout the United States, Russia, Japan and Italy.  

Heaven Gallery, 1550 North Milwaukee 2nd Floor, Chicago, IL 60622
Hours: Friday & Saturday 1-6 pm 

What is the Message | Artist Talk

Sunday, February 28, 2016 - 1:00pm to 3:00pm

Join us for conversation on Sunday, February 28 at 1pm. 

Deborah Boardman, an inspired artist and dear friend, passed away too soon this past year. We miss her very much, and several of her friends have contributed to a beautiful show at Heaven Gallery, What is the Message.

Participating artists include Deborah, Diane Christiansen, Jackie Kazarian, Paola Cabal, Jin Lee, Edra Soto, Dan Sullivan, Ryan Richey, Howard Fonda, Ellen Rothenberg, Sabina Ott, Laurie Palmer, Jeroen Nelemens, Wendy Mason, and Barbara Koenen. Each artist responded to a work or idea that emanated from Deborah. The exhibition was curated by Jessica Cochran.

In a career spanning nearly 30 years, artist Deborah Boardman developed bodies of work across painting and drawing, installation, writing, environmental sustainability projects and sound/video. An educator, she influenced hundreds of artists, some of whom became her collaborators... As critic Lori Waxman wrote, her recent work has grappled with the unseen and ineffable, articulating “what life looks like in that gracious limbo between life and death.” 
 

this is the place

Friday, March 18, 2016 - 7:00pm

 

Opening Reception: March 18 2016, 7 - 11pm
Show Date: March 18 2016 - May 8 2016

For this is the place, Jenny Buffington and Jessica Harvey explore mysterious geographies with sculpture, installation, and photography. Using artifacts and layers of artifice, these landscapes are deconstructed and re-examined, projecting a human element in environments void of people. Both artists implore the viewer to question what is ‘real’ in nature, accentuating the unattainable feat of re-creating these natural monuments and environments. These photographs and sculptures are the tipping point in the search for something greater. 

 

Artist Statements

Jenny Buffington
Within Jenny Buffington’s practice, she is examining humanity’s complex relationship with nature: how we project ourselves onto it, see images in it, search for the best view point, attempt to enhance it, and attempt to conquer it. It questions how we relate our bodies to nature and how our sense of self is altered in or by nature. She is seeking to address time, space, and the human condition; simultaneously using the environment as a metaphor for the self and as a method for escapism. These current sculptures reference geological formations that investigate material, color, texture, scale, and shape. This work questions how these formal aspects can be a relation to the canon of sculpture while still examining the topic of how we see and perceive our environment.

Jenny Buffington is an artist based in Chicago. She received her MFA from Tyler School of Art in 2008, and a BFA from Herron School of Art in 2005. She was a full fellow at Vermont Studio Center in Burlington, VT and an Artist in Residence at CAC Woodside in Troy, NY. Buffington was awarded a public commission for Pogues Run Park in Indianapolis and has exhibited at Crane Arts, PA; Temple Gallery, PA; Flux Space, PA; and the VCU FAB Gallery, VA. 

 

Jessica Harvey 
Jessica Harvey is a Chicago-based artist who explores the myths we create for ourselves and nature while trying to preserve a more desired history. Digging through public and private archives, she conducts long-term investigations on historical and personal events based on “facts,” reinterpreting these stories through the use of photography, video, archival resources, and objects constructed from everyday materials. The images and installations act as a catalyst for a fantastical exploration of the psychology that one attaches to memory and place, In this particular body of work Harvey uses the Sangre de Cristo Range of the Rocky Mountains as a backdrop to the UFO Watchtower in Hooper Colorado, turning the lens onto fragments of one woman's search for something greater. This Colorado site was built atop two vortexes in the mystical San Luis Valley, where people look to the mountains and skies above for answers.Jessica Harvey received an MFA in photography from Cranbrook Academy of Art in 2009 and a BA in film and video from Columbia College in 2005. She was awarded a Fulbright Grant to Iceland for the 2011-2012 year. She has attended residencies at ACRE, Anderson Ranch, Byrdcliffe Arts Colony, Hardesty Arts Center, The Luminary, and Vermont Studio Center. She has participated in group shows at the Urban Institute for Contemporary Art (Grand Rapids, MI), Johalla Projects (Chicago, IL), The Center for Contemporary Photography (Detroit, MI), and the Cranbrook Art Museum (Bloomfield Hills, MI). Recent solo and two person exhibitions include shows at Black Hills State University (Spearfish, SD), Hardesty Arts Center (Tulsa, OK), ACRE Projects (Chicago, IL), Good Weather (North Little Rock, AR), and The Luminary (St. Louis, MO).

HEREAFTERFEST 2015

Saturday, September 5, 2015 - 10:00pm

Sonic Healing Ministries Presents its annual Chicago jazz fest after-set, HEREAFTERFEST 2 nights of noncommercial music for the soul rooted in the Chicago free jazz tradition Heaven Gallery 1550 N. Milwaukee Ave. 2nd Floor Suggested Donation $10 Friday Sep 4th - 10pm-12midnight DJ Ayana Contreras - spinning sould and rare groove Participatory Music Collective - Adam Zanolini on saxphone, flute, etc; Angel Elmore on clarinet and piano, and others t.b.a. Microcosmic Sound Orchestra - David Boykin on drums set and reeds, Eliel Sherman Storey on saxophone, Dan Godston on trumpet, Alex Wing on guitar Saturday Sep 5th 10pm 12midnight DJ Ayana Contreras - spinning soul and rare groove David Boykin Expanse - David Boykin on saxophone and vocals, Jim Baker on piano, Ashford Smith on bass and others t.b.a. (playing two sets)

hereafterfest

Saturday, September 5, 2015 - 10:00pm

hereafterfest

Friday, September 4, 2015 - 10:00pm

Gallery Closed

Friday, July 24, 2015 (All day) to Sunday, July 26, 2015 (All day)

Closed due to Wicker Park Fest.

Ask the Oracle

Friday, August 7, 2015 - 7:00pm to 11:00pm

Heaven Gallery is pleased to present Ask the Oracle, a group exhibition by artists Claire Arctander, Ann Gaziano, Annie Kielman, and AP Shrewsbury. Often acting as a medium through whom truth is delivered and trusting their intuition, the artists in Ask the Oracle construct paintings, sculptures, and performances, that address belief in non-conforming spirituality and result in work that is a process of creation through small yet endless epiphanies. Using contemporary pop culture to discuss feminist identity and notions of wanting and revulsion, Claire Arctander will present work that addresses the gendered dynamics of magic. Though women were often the primary healers and magic practitioners in early American history, with the rise of institutionalized patriarchal medicine came the attempted ostracization and eradication of the same women, now labeled as witches. Artander’s sculptures and performance challenge the stereotypical male magician, popularized at the turn of the twentieth century as a fast talking man in a top hat perpetuating a “nothing up my sleeve” trope. Also utilizing cultural constructs, Ann Gaziano’s work addresses how the past is transformed by contemporary society. Focusing on the relationship between the body, furniture, and interior design, Gaziano instinctually assembles material and objects that revolve around familiar patterns and underlying systems, creating an experience that places the viewer in a mode of contemplation. Both the sculptural work, which is loosely based on a recognizable polka dot grid made of used baking pans, and the printed fabric contain distinct and identifiable references to domestic space and create connections to the familiar. Annie Kielman uses manipulation as a basic language, creating artificial representations that manifest through process. By relinquishing control and trusting in the foundational elements of her medium, Kielman allows for perceptual readjustments through distortion. Held together by magnets, her three dimensional prints rely both literally and conceptually on tension and pressure to connect with their frames, inherently possessing the potential for movement. Like a stenographer from an unknown land, AP Shrewsbury creates paintings and sculptures that reference traditional inscriptions, yet are unrecognizable. Familiar yet strange, Shrewbury’s work is heavily influenced by his transformative experiences with plant medicines under the direction of a Peruvian shaman. Using impulse and seemingly innate knowledge, Shrewsbury’s work searches for wisdom through experience, perhaps suggesting that only once inner joy, peace, and contentment is found, can one translate the text he has transcribed.

Please join us during the opening reception for a Magic Act, performed by Claire Arctander at 8:30 pm.

Claire Arctander earned a BA in Art Theory and Practice and Gender Studies from Northwestern University and an MFA in Studio Art from the University of Illinois at Chicago. She has taught art classes for UIC and the City Colleges of Chicago. In the past she has been a summer resident at The Cooper Union, Summer Forum, and ACRE. She heads to Ox-Bow this September for a Fall Artist Residency. Upcoming Shows (other than this one at Heaven) include herTrunk Show opening on July 25 and a one-person show at The Nightingale in the fall. Ann Gaziano was born in Chicago, Illinois and grew up in Santa Fe, New Mexico. In 2005, she graduated from the College of Santa Fe with a Bachelors of Fine Arts degree in Sculpture and went on to receive her Masters of Fine Arts degree in Sculpture from Cranbrook Academy of Art, Bloomfield Hills, Michigan in 2010. Her work was most recently presented in Beyond the Selvage: A History of Screen-printing at The Fabric Workshop and Museum in Philadelphia, PA and a solo exhibition at Generator in Albuquerque NM. She has been part of numerous group exhibitions including Into the Woods at the Museum of Contemporary Art Detroit, representation by Launch Projects at Art Santa Fe, 2009 and Hair of The Dog at The Center for Contemporary Art in Santa Fe, New Mexico. She has also received residencies at the Vermont Studio Center, I-Park, and ACRE. She now lives and works in Chicago. Annie Kielman is a Chicago based artist who’s multi-media work focuses on reconstructed impressions through manipulations of process, material, and language. Annie received her MFA in Printmedia from the School of the Art Institute of Chicago in 2013. She currently teaches at Harold Washington College, Co-runs the Design and Fabrication Collaborative VimFete, and is finalizing the building of a Print shop and shared artist space in Pilsen (name TBD upon unlikely agreement of all members). Annie has exhibited widely in Chicago and throughout the US. AP Shrewsbury was born in Mississippi in 1984. Shrewsbury primarily creates works in the mediums of painting and sculpture. Themes center on the act of perception itself, the transcendent human experience and quasi-multidimensional letterforms. A self taught artist, he has recently had work included in group shows at Castor Gallery in Manhattan, FireCat Projects in Chicago and Minotaur Projects in LA. His work is in private collections worldwide. He Lives and works in the Ann Arbor, MI area.

Stardust Memories 15th Annual Benefit & Art Auction

Saturday, June 20, 2015 - 6:00pm to Sunday, June 21, 2015 - 12:00am

Come make Stardust Memories at Heaven Gallery’s 15th Annual Benefit and Art Auction. Support a Chicago institution by bidding on art from some of it’s brightest stars. Help us celebrate 15 years of Heaven by dancing into the night in your most stellar attire. The event begins 6pm with a VIP reception and silent auction serving hors d'oeuvres and cocktails then transitioning into a dance party at 9pm. Tickets are available for both entry times during gallery hours or :http://stardustmemories.eventbrite.com/ The silent auction features works by: Soo Shin, Mika Horibuchi, Dan Rizzo-Orr, Liz McCarthy, Aron Gent, Jessica Taylor Caponigro, Marissa Lee Benedict, Phil Peters, Sarah and Joseph Belknap, Jessica Harvey, Leo Kaplan, Meg Noe, Eileen Mueller, Sterling Lawrence, Erin Jane Nelson, Ron Ewert, Brad Temkin, Dan Devening, Christopher Meerdo, Ben Gill, Sarah Mosk, Zachary Hobbs, Stella Brown, Gwendolyn Zabicki, Boyang Hou, Annie Kielman, and more. VIP Reception 6–9PM Includes hors d'oeuvres by Rachel Ettling and Gabe Holcombe of the ACRE Kitchen and a signature cocktail created by Nandini Khuand Dance Party 9–12AM Music by Ben Marcus, DJ Cordell Johnson and Jesse Andwich Plus celebrity guest DJ DouggPound Cash bar and craft beer provided by Revolution Brewing Company ___ Heaven Gallery Hours Fri 2-6 pm Sat&Sun 1-6 pm

A House of Dust: Marissa Lee Benedict & Phil Peters

Friday, May 8, 2015 - 7:00pm to 11:00pm

Opening 7 PM Friday, May 8 2015 thru
“A house of dust / on open ground / using all available light / inhabited by friends and enemies” (excerpted from a digital simulation of Alison Knowles and James Tenney, “A House of Dust” (1967/68) by Zach Whalen)
One of the earliest examples of computer generated poetry, “A House of Dust” was a collaboration by Fluxist artist Alison Knowles and composer James Tenney. Creating endless combinations of propositional architectures, landscapes, locations and situations, the randomly assembled four line quatrains of Knowles and Tenney’s poem grounds Benedict & Peter’s investigations into speculative histories, uncanny objects and strange systems of growth.
Overlaying the architecture of Heaven onto itself in such a ways as to re-align the gallery space with Chicago’s grid, Benedict & Peters expose a ghostly architectural space: a framework for repeated objects, actions and videos to occur upon, within and around.
Currently based in Chicago, IL, Marissa Lee Benedict (b. 1985) is a native of Southern California. She received an MFA in Sculpture from the School of the Art Institute of Chicago in 2011. Currently based in Chicago, IL, Phil Peters (b. 1981) is a native of New York state. He received an MFA in Sculpture from the School of the Art Institute of Chicago in 2013.

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