Sunday, February 28, 2016 - 1:00pm to 3:00pm
Join us for conversation on Sunday, February 28 at 1pm.
Deborah Boardman, an inspired artist and dear friend, passed away too soon this past year. We miss her very much, and several of her friends have contributed to a beautiful show at Heaven Gallery, What is the Message.
Participating artists include Deborah, Diane Christiansen, Jackie Kazarian, Paola Cabal, Jin Lee, Edra Soto, Dan Sullivan, Ryan Richey, Howard Fonda, Ellen Rothenberg, Sabina Ott, Laurie Palmer, Jeroen Nelemens, Wendy Mason, and Barbara Koenen. Each artist responded to a work or idea that emanated from Deborah. The exhibition was curated by Jessica Cochran.
In a career spanning nearly 30 years, artist Deborah Boardman developed bodies of work across painting and drawing, installation, writing, environmental sustainability projects and sound/video. An educator, she influenced hundreds of artists, some of whom became her collaborators... As critic Lori Waxman wrote, her recent work has grappled with the unseen and ineffable, articulating “what life looks like in that gracious limbo between life and death.”
Friday, March 18, 2016 - 7:00pm
Opening Reception: March 18 2016, 7 - 11pm
For this is the place, Jenny Buffington and Jessica Harvey explore mysterious geographies with sculpture, installation, and photography. Using artifacts and layers of artifice, these landscapes are deconstructed and re-examined, projecting a human element in environments void of people. Both artists implore the viewer to question what is ‘real’ in nature, accentuating the unattainable feat of re-creating these natural monuments and environments. These photographs and sculptures are the tipping point in the search for something greater.
Jenny Buffington is an artist based in Chicago. She received her MFA from Tyler School of Art in 2008, and a BFA from Herron School of Art in 2005. She was a full fellow at Vermont Studio Center in Burlington, VT and an Artist in Residence at CAC Woodside in Troy, NY. Buffington was awarded a public commission for Pogues Run Park in Indianapolis and has exhibited at Crane Arts, PA; Temple Gallery, PA; Flux Space, PA; and the VCU FAB Gallery, VA.
Saturday, September 5, 2015 - 10:00pm
Sonic Healing Ministries Presents its annual Chicago jazz fest after-set, HEREAFTERFEST 2 nights of noncommercial music for the soul rooted in the Chicago free jazz tradition Heaven Gallery 1550 N. Milwaukee Ave. 2nd Floor Suggested Donation $10 Friday Sep 4th - 10pm-12midnight DJ Ayana Contreras - spinning sould and rare groove Participatory Music Collective - Adam Zanolini on saxphone, flute, etc; Angel Elmore on clarinet and piano, and others t.b.a. Microcosmic Sound Orchestra - David Boykin on drums set and reeds, Eliel Sherman Storey on saxophone, Dan Godston on trumpet, Alex Wing on guitar Saturday Sep 5th 10pm 12midnight DJ Ayana Contreras - spinning soul and rare groove David Boykin Expanse - David Boykin on saxophone and vocals, Jim Baker on piano, Ashford Smith on bass and others t.b.a. (playing two sets)
Saturday, September 5, 2015 - 10:00pm
Friday, September 4, 2015 - 10:00pm
Friday, July 24, 2015 (All day) to Sunday, July 26, 2015 (All day)
Closed due to Wicker Park Fest.
Friday, August 7, 2015 - 7:00pm to 11:00pm
Heaven Gallery is pleased to present Ask the Oracle, a group exhibition by artists Claire Arctander, Ann Gaziano, Annie Kielman, and AP Shrewsbury. Often acting as a medium through whom truth is delivered and trusting their intuition, the artists in Ask the Oracle construct paintings, sculptures, and performances, that address belief in non-conforming spirituality and result in work that is a process of creation through small yet endless epiphanies. Using contemporary pop culture to discuss feminist identity and notions of wanting and revulsion, Claire Arctander will present work that addresses the gendered dynamics of magic. Though women were often the primary healers and magic practitioners in early American history, with the rise of institutionalized patriarchal medicine came the attempted ostracization and eradication of the same women, now labeled as witches. Artander’s sculptures and performance challenge the stereotypical male magician, popularized at the turn of the twentieth century as a fast talking man in a top hat perpetuating a “nothing up my sleeve” trope. Also utilizing cultural constructs, Ann Gaziano’s work addresses how the past is transformed by contemporary society. Focusing on the relationship between the body, furniture, and interior design, Gaziano instinctually assembles material and objects that revolve around familiar patterns and underlying systems, creating an experience that places the viewer in a mode of contemplation. Both the sculptural work, which is loosely based on a recognizable polka dot grid made of used baking pans, and the printed fabric contain distinct and identifiable references to domestic space and create connections to the familiar. Annie Kielman uses manipulation as a basic language, creating artificial representations that manifest through process. By relinquishing control and trusting in the foundational elements of her medium, Kielman allows for perceptual readjustments through distortion. Held together by magnets, her three dimensional prints rely both literally and conceptually on tension and pressure to connect with their frames, inherently possessing the potential for movement. Like a stenographer from an unknown land, AP Shrewsbury creates paintings and sculptures that reference traditional inscriptions, yet are unrecognizable. Familiar yet strange, Shrewbury’s work is heavily influenced by his transformative experiences with plant medicines under the direction of a Peruvian shaman. Using impulse and seemingly innate knowledge, Shrewsbury’s work searches for wisdom through experience, perhaps suggesting that only once inner joy, peace, and contentment is found, can one translate the text he has transcribed.
Please join us during the opening reception for a Magic Act, performed by Claire Arctander at 8:30 pm.
Claire Arctander earned a BA in Art Theory and Practice and Gender Studies from Northwestern University and an MFA in Studio Art from the University of Illinois at Chicago. She has taught art classes for UIC and the City Colleges of Chicago. In the past she has been a summer resident at The Cooper Union, Summer Forum, and ACRE. She heads to Ox-Bow this September for a Fall Artist Residency. Upcoming Shows (other than this one at Heaven) include herTrunk Show opening on July 25 and a one-person show at The Nightingale in the fall. Ann Gaziano was born in Chicago, Illinois and grew up in Santa Fe, New Mexico. In 2005, she graduated from the College of Santa Fe with a Bachelors of Fine Arts degree in Sculpture and went on to receive her Masters of Fine Arts degree in Sculpture from Cranbrook Academy of Art, Bloomfield Hills, Michigan in 2010. Her work was most recently presented in Beyond the Selvage: A History of Screen-printing at The Fabric Workshop and Museum in Philadelphia, PA and a solo exhibition at Generator in Albuquerque NM. She has been part of numerous group exhibitions including Into the Woods at the Museum of Contemporary Art Detroit, representation by Launch Projects at Art Santa Fe, 2009 and Hair of The Dog at The Center for Contemporary Art in Santa Fe, New Mexico. She has also received residencies at the Vermont Studio Center, I-Park, and ACRE. She now lives and works in Chicago. Annie Kielman is a Chicago based artist who’s multi-media work focuses on reconstructed impressions through manipulations of process, material, and language. Annie received her MFA in Printmedia from the School of the Art Institute of Chicago in 2013. She currently teaches at Harold Washington College, Co-runs the Design and Fabrication Collaborative VimFete, and is finalizing the building of a Print shop and shared artist space in Pilsen (name TBD upon unlikely agreement of all members). Annie has exhibited widely in Chicago and throughout the US. AP Shrewsbury was born in Mississippi in 1984. Shrewsbury primarily creates works in the mediums of painting and sculpture. Themes center on the act of perception itself, the transcendent human experience and quasi-multidimensional letterforms. A self taught artist, he has recently had work included in group shows at Castor Gallery in Manhattan, FireCat Projects in Chicago and Minotaur Projects in LA. His work is in private collections worldwide. He Lives and works in the Ann Arbor, MI area.
Saturday, June 20, 2015 - 6:00pm to Sunday, June 21, 2015 - 12:00am
Come make Stardust Memories at Heaven Gallery’s 15th Annual Benefit and Art Auction. Support a Chicago institution by bidding on art from some of it’s brightest stars. Help us celebrate 15 years of Heaven by dancing into the night in your most stellar attire. The event begins 6pm with a VIP reception and silent auction serving hors d'oeuvres and cocktails then transitioning into a dance party at 9pm. Tickets are available for both entry times during gallery hours or :http://stardustmemories.eventbrite.com/ The silent auction features works by: Soo Shin, Mika Horibuchi, Dan Rizzo-Orr, Liz McCarthy, Aron Gent, Jessica Taylor Caponigro, Marissa Lee Benedict, Phil Peters, Sarah and Joseph Belknap, Jessica Harvey, Leo Kaplan, Meg Noe, Eileen Mueller, Sterling Lawrence, Erin Jane Nelson, Ron Ewert, Brad Temkin, Dan Devening, Christopher Meerdo, Ben Gill, Sarah Mosk, Zachary Hobbs, Stella Brown, Gwendolyn Zabicki, Boyang Hou, Annie Kielman, and more. VIP Reception 6–9PM Includes hors d'oeuvres by Rachel Ettling and Gabe Holcombe of the ACRE Kitchen and a signature cocktail created by Nandini Khuand Dance Party 9–12AM Music by Ben Marcus, DJ Cordell Johnson and Jesse Andwich Plus celebrity guest DJ DouggPound Cash bar and craft beer provided by Revolution Brewing Company ___ Heaven Gallery Hours Fri 2-6 pm Sat&Sun 1-6 pm
Friday, May 8, 2015 - 7:00pm to 11:00pm
Opening 7 PM Friday, May 8 2015 thru
Friday, December 5, 2014 - 7:00pm to 11:00pm
ACRE has partnered with Heaven Gallery to host MEND THINE EVERY FLAW: works by SHAWN CREEDEN, MARSHALL ELLIOTT, & RACHAEL STARBUCK, the next installment in ACRE's year-long series of exhibitions by 2013 ACRE summer residents.
Mend Thine Every Flaw
While Starbuck revels in poignant experiences of our relationship to the landscape, Shawn Creeden’s work is occupied with the tools and techniques that humans employ in effort to control their surroundings and their experience of the world. In Creeden’s work there is an underlying question about how far humanity has gone to shape its surroundings and to what ends we understand the effects of that manipulation. Like Starbuck, Creeden also plays with scale, bringing the overwhelming travesties of pollution and the manipulation of the natural world to an uncomfortably intimate size. Utilizing traditional craft techniques and tropes of domestic spaces, Creeden’s approach opens up for a complex read on humanity’s struggle to define itself against the backdrop of its landscape throughout the ages. In his aquarium installation, Creeden creates objects that appear to be a formal exercise in minimalism or a dazzling color study. Their material components, however, include living algaes, some of which flourish dangerously in the runoff of industrial agriculture, while others are threatened by pollution and human activity or are exploited to our benefit. Similarly, Creeden’s embroideries present as gentle abstractions but take their lines and shapes from the original borders imposed on to the landscape of the American West. These borders, which seem innocuous in Creeden’s delicate abstractions, were a key part of the doctrine of Manifest Destiny and the conquest of the indigenous people, wildlife and land itself. Using the techniques of formalism and abstraction, which historically incorporate ideas of masking the author or master, Creeden highlights the keen manipulation of material by a human and uncovers the hidden histories and unseen destructions that come as the price for mastering the landscape.
Marshall Elliott’s use of the classical symbols of Heartland America hints at the ideology of self-identification through a relationship to place. Patriotism is a cultural attachment to one's homeland or devotion to one's country. Human’s have long expressed their devotion to their place through objects and symbols. National flags are probably the most universal symbol of this relationship and the American flag is a recurring motif in Elliott’s work. The traditions associated with the flag and the particularities of its use and handling are indicative of the way these symbols of patriotism are embedded in a sense of national and personal identity. In Retired Flag, Elliott dissects a retired American flag, taking each element and separating it from the whole. It is a gentle, reflective deconstruction, viewed as more of an investigation by the artist than an act of destruction. His process could be seen as very similar to the actual process of decommissioning an American flag in which the flag is disassembled and then incinerated, yet it differs in that he presents the disassembled flag for contemplation, standing in as a placeholder for a much larger concept of the country it stands for. Another recurring motif in Elliott’s work is the windmill. The American windmill played a major role in the ability for Western Expansion in the settling of the United States. Elliott plays with its history and significance by subverting its function in the video animation The American Windmill. Through his manipulation of symbols and objects that are considered truly American, Elliott’s work explores the strong human desire to take ownership of their place and the manufacture of that desire.
MARSHALL ELLIOTT (born Eglin, Florida, 1976), lives in Oakland, CA and recently completed his MFA at the San Francisco Art Institute, where he won the Anne Bremer Memorial Prize. In addition to Bay-area galleries, he has shown work in Colorado, Oregon, and Nebraska with upcoming shows in San Francisco, Chicago, and New York.
More information about Marshall Elliott can be found at www.marshallelliott.com.
RACHAEL STARBUCK is an interdisciplinary artist from Miami, Fl working primarily with sculpture and video. Rachael received her BFA in Sculpture + Extended Media from Virginia Commonwealth University in 2011 and is currently living and working in Austin, TX. She has attended residencies at the Contemporary Artists Center at Woodside, ACRE and The Wassaic Project and has shown work in Richmond, VA, Chicago, Miami and Austin. She is currently enrolled in the MFA program at the University of Texas at Austin.
More information about Rachael Starbuck can be found at rachaelstarbuck.com.
SHAWN CREEDEN (born Newport, RI 1981) received his BFA from the Rochester Institute of Technology in 2003. His work has been exhibited both nationally and internationally, including at The Headlands Center for the Arts (Sausalito, CA), Artists Space (NY, NY), Fontanelle Gallery (Portland, OR), The Filippo Gallery (Randolph-Macon College, Ashland, VA), Lamp Gallery (Tokyo), Grotto Gallerie (Brooklyn, NY), and The Manuel Izquierdo Gallery (Pacific Northwest College of Art, Portland, OR). His books and multiples are held in the collections of the Beinecke Rare Book and Manuscript Library at Yale University, The Museum Library at MOMA, and the Cary Graphic Arts Collection at RIT. He has participated in artist residencies including Signal Fire (Portland/Gila Wilderness, NM), ACRE (Chicago/Steuben, WI), and Epicenter (Green River, UT). Creeden currently lives and works in Portland, OR.
More information about Shawn Creeden can be found at www.shawncreeden.com.
HEAVEN GALLERY established in 1997 is a non-profit arts space in Wicker Park that presents emerging artists and musicians. The gallery host 8-10 art shows and over 40 music shows a year. Heaven strives to make exhibitions and music shows accessible to the artist community by widely promoting its open proposal process. The visual art exhibitions are devoted to contemporary art, primarily sculpture painting and photography with a preference for simple smart art.
More information about Heaven gallery can be found at heavengallery.com.
ACRE (Artists’ Cooperative Residency and Exhibition) was founded in 2010 with the ambition to provide the arts community with an affordable, cooperative, and dialogue-oriented residency program. The residency itself takes place each summer in rural southwest Wisconsin and brings together artists from across disciplines and levels of experience to create a regenerative community of cultural producers. Over the course of the following year ACRE endeavors to further support its residents by providing venues for exhibitions, idea exchange, interdisciplinary collaboration, and experimental projects.
More information about ACRE can be found at www.acreresidency.org.