Ask the Oracle

Friday, August 7, 2015 - 7:00pm to 11:00pm

Heaven Gallery is pleased to present Ask the Oracle, a group exhibition by artists Claire Arctander, Ann Gaziano, Annie Kielman, and AP Shrewsbury. Often acting as a medium through whom truth is delivered and trusting their intuition, the artists in Ask the Oracle construct paintings, sculptures, and performances, that address belief in non-conforming spirituality and result in work that is a process of creation through small yet endless epiphanies.

Using contemporary pop culture to discuss feminist identity and notions of wanting and revulsion, Claire Arctander will present work that addresses the gendered dynamics of magic. Though women were often the primary healers and magic practitioners in early American history, with the rise of institutionalized patriarchal medicine came the attempted ostracization and eradication of the same women, now labeled as witches. Artander’s sculptures and performance challenge the stereotypical male magician, popularized at the turn of the twentieth century as a fast talking man in a top hat perpetuating a “nothing up my sleeve” trope.

Also utilizing cultural constructs, Ann Gaziano’s work addresses how the past is transformed by contemporary society. Focusing on the relationship between the body, furniture, and interior design, Gaziano instinctually assembles material and objects that revolve around familiar patterns and underlying systems, creating an experience that places the viewer in a mode of contemplation. Both the sculptural work, which is loosely based on a recognizable polka dot grid made of used baking pans, and the printed fabric contain distinct and identifiable references to domestic space and create connections to the familiar.

Annie Kielman uses manipulation as a basic language, creating artificial representations that manifest through process. By relinquishing control and trusting in the foundational elements of her medium, Kielman allows for perceptual readjustments through distortion. Held together by magnets, her three dimensional prints rely both literally and conceptually on tension and pressure to connect with their frames, inherently possessing the potential for movement.

Like a stenographer from an unknown land, AP Shrewsbury creates paintings and sculptures that reference traditional inscriptions, yet are unrecognizable. Familiar yet strange, Shrewbury’s work is heavily influenced by his transformative experiences with plant medicines under the direction of a Peruvian shaman. Using impulse and seemingly innate knowledge, Shrewsbury’s work searches for wisdom through experience, perhaps suggesting that only once inner joy, peace, and contentment is found, can one translate the text he has transcribed.

Please join us during the opening reception for a Magic Act, performed by Claire Arctander at 8:30 pm.

Claire Arctander earned a BA in Art Theory and Practice and Gender Studies from Northwestern University and an MFA in Studio Art from the University of Illinois at Chicago. She has taught art classes for UIC and the City Colleges of Chicago. In the past she has been a summer resident at The Cooper Union, Summer Forum, and ACRE. She heads to Ox-Bow this September for a Fall Artist Residency. Upcoming Shows (other than this one at Heaven) include herTrunk Show opening on July 25 and a one-person show at The Nightingale in the fall.

Ann Gaziano was born in Chicago, Illinois and grew up in Santa Fe, New Mexico. In 2005, she graduated from the College of Santa Fe with a Bachelors of Fine Arts degree in Sculpture and went on to receive her Masters of Fine Arts degree in Sculpture from Cranbrook Academy of Art, Bloomfield Hills, Michigan in 2010. Her work was most recently presented in Beyond the Selvage: A History of Screen-printing at The Fabric Workshop and Museum in Philadelphia, PA and a solo exhibition at Generator in Albuquerque NM. She has been part of numerous group exhibitions including Into the Woods at the Museum of Contemporary Art Detroit, representation by Launch Projects at Art Santa Fe, 2009 and Hair of The Dog at The Center for Contemporary Art in Santa Fe, New Mexico. She has also received residencies at the Vermont Studio Center, I-Park, and ACRE. She now lives and works in Chicago.

Annie Kielman is a Chicago based artist who’s multi-media work focuses on reconstructed impressions through manipulations of process, material, and language. Annie received her MFA in Printmedia from the School of the Art Institute of Chicago in 2013. She currently teaches at Harold Washington College, Co-runs the Design and Fabrication Collaborative VimFete, and is finalizing the building of a Print shop and shared artist space in Pilsen (name TBD upon unlikely agreement of all members). Annie has exhibited widely in Chicago and throughout the US.

AP Shrewsbury was born in Mississippi in 1984. Shrewsbury primarily creates works in the mediums of painting and sculpture. Themes center on the act of perception itself, the transcendent human experience and quasi-multidimensional letterforms. A self taught artist, he has recently had work included in group shows at Castor Gallery in Manhattan, FireCat Projects in Chicago and Minotaur Projects in LA. His work is in private collections worldwide. He Lives and works in the Ann Arbor, MI area.

Works on Floor / Laura Letinsky, Nazafarin Lotfi and Suara Welitoff

Friday, June 26, 2015 - 7:00pm to 11:00pm

Document and Heaven Gallery are pleased to present Works on Floor, a group exhibition by artists Laura Letinsky, Nazafarin Lotfi and Suara Welitoff. The artworks in Works on Floor focus on themes of time, death, and the body, and its influence on sculptural and video based works. The term “Lay to rest” evokes a stoppage of that unknown time, a burying of an object, a thing eventually brought to a close.

The works in the exhibition consist of handmade white porcelain urns (Letinksy), neutral paper-mache forms (Lofti) and looping black and white appropriated clips of vintage films (Welitoff). The absence of color in the exhibition heightens the sparse installation and lends itself to a fading or fleeting image that occurs over a duration. The title of the exhibition plays on the term “Works on Paper” usually referring to drawings, watercolors, prints, posters, or photographs which are generally seen as less significant works in relation to painting and sculpture.

In metaphorically removing the wall and placing works on the gallery floor, can ceramic, paper, and film hold a relationship that normally is seen as very separate?
The exhibition consists of six parallel 4’x8’ white wood panels laid directly on the floor of the gallery acting as blank frames for the works to lay and create minimal dioramas.

The floor panels are split into two groups of three, half in the east gallery and half in the west gallery and run perpendicular to the diagonal wall that separates the two spaces. Taking works that are normally hung on a wall or propped up on a waist high pedestal and laying them to rest on the floor allows the wall works and pedestal works to lay, lean, and interact in a way that normally would be separated by the gallery space itself.

Laura Letinsky (Canadian, b. 1962) received her BFA from the University of Manitoba, 1986, and her MFA from Yale University School of Art, 1991. Previous shows include the Getty Museum, Los Angeles; The Canadian Museum of Contemporary Photography; Ill Form and Void Full, Museum of Contemporary Art, Chicago; The Photographers Gallery, London; Laura Letinsky: Still Life, Denver Art Museum, CO; Museum of Modern Art, New York; and The Renaissance Society, Chicago. Collections include the Art Institute of Chicago; Hermes Collection, Paris, France; The Microsoft Art Collection, Seattle, WA; The AMon Carter Museum; The John Paul Getty Museum, Los Angeles; The Musee de Beaux-Arts, Montreal, QUE; The Museum of Fine Art, Houston, TX; and The San Francisco Museum of Modern Art. Letinsky is a Professor at the University of Chicago, Department of Visual Arts.

Nazafarin Lotfi (Iranian, b. 1984) received her MFA from the School of the Art Institute of Chicago in 2011 and her BA from the University of Tehran in 2007. Lotfi’s work has been included in exhibitions nationally and internationally, including Italy, South Korea, Hungary, Germany, and Iran. Recent exhibitions include Poiesis at Fenrwey Gallery, Chicago, IL; White Light at Andrew Rafacz Gallery, Chicago, IL; Pattern Recognition at Ana Cristea Gallery, New York City, NY; and Not Safe for Work at DUVE Berlin, Berlin, Germany.

Suara Welitoff (b. 1951, Jersey City, NY) lives and works in Cambridge, MA. Welitoff has shown work nationally at Barbara Krakow Gallery, Boston, Institute of Contemporary Art Boston, Tony Wight Gallery, Chicago, the De Cordova Sculpture Park and Museum, and the Museum of Fine Arts Boston. She has shown in group shows around the world in Milan, Frankfurt, Berlin, Los Angeles, and New York. She is a recipient of the Louis Comfort Tiffany Foundation Award, the Rappaport Prize, the Maud Morgan Prize and is in the Collection of the Boston Museum of Fine Arts, Worcester Art Museum and Deutsche Bank New York.

Stardust Memories 15th Annual Benefit & Art Auction

Saturday, June 20, 2015 - 6:00pm to Sunday, June 21, 2015 - 12:00am

Come make Stardust Memories at Heaven Gallery’s 15th Annual Benefit and Art Auction. Support a Chicago institution by bidding on art from some of it’s brightest stars. Help us celebrate 15 years of Heaven by dancing into the night in your most stellar attire.

The event begins 6pm with a VIP reception and silent auction serving hors d'oeuvres and cocktails then transitioning into a dance party at 9pm. Tickets are available for both entry times during gallery hours or :http://stardustmemories.eventbrite.com/

The silent auction features works by: Soo Shin, Mika Horibuchi, Dan Rizzo-Orr, Liz McCarthy, Aron Gent, Jessica Taylor Caponigro, Marissa Lee Benedict, Phil Peters, Sarah and Joseph Belknap, Jessica Harvey, Leo Kaplan, Meg Noe, Eileen Mueller, Sterling Lawrence, Erin Jane Nelson, Ron Ewert, Brad Temkin, Dan Devening, Christopher Meerdo, Ben Gill, Sarah Mosk, Zachary Hobbs, Stella Brown, Gwendolyn Zabicki, Boyang Hou, Annie Kielman, and more.

VIP Reception 6–9PM
Includes hors d'oeuvres by Rachel Ettling and Gabe Holcombe of the ACRE Kitchen and a signature cocktail created by Nandini Khuand

Dance Party 9–12AM
Music by Ben Marcus, DJ Cordell Johnson and Jesse Andwich
Plus celebrity guest DJ DouggPound
Cash bar and craft beer provided by Revolution Brewing Company

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Heaven Gallery Hours
Fri 2-6 pm
Sat&Sun 1-6 pm

A House of Dust: Marissa Lee Benedict & Phil Peters

Friday, May 8, 2015 - 7:00pm to 11:00pm


Opening 7 PM Friday, May 8 2015 thru


“A house of dust / on open ground / using all available light / inhabited by friends and enemies”
(excerpted from a digital simulation of Alison Knowles and James Tenney, “A House of Dust” (1967/68) by Zach Whalen)

One of the earliest examples of computer generated poetry, “A House of Dust” was a collaboration by Fluxist artist Alison Knowles and composer James Tenney. Creating endless combinations of propositional architectures, landscapes, locations and situations, the randomly assembled four line quatrains of Knowles and Tenney’s poem grounds Benedict & Peter’s investigations into speculative histories, uncanny objects and strange systems of growth.

Overlaying the architecture of Heaven onto itself in such a ways as to re-align the gallery space with Chicago’s grid, Benedict & Peters expose a ghostly architectural space: a framework for repeated objects, actions and videos to occur upon, within and around.

Currently based in Chicago, IL, Marissa Lee Benedict (b. 1985) is a native of Southern California. She received an MFA in Sculpture from the School of the Art Institute of Chicago in 2011.
Currently based in Chicago, IL, Phil Peters (b. 1981) is a native of New York state. He received an MFA in Sculpture from the School of the Art Institute of Chicago in 2013.

View with a Room New work by Mika Horibuchi & Dan Rizzo-Orr

Friday, March 20, 2015 - 7:00pm

View with a Room
Opening Reception Fri. March 20th 7-11pm
March 20th ~May 3rd

Heaven Gallery proudly presents, new paintings by Mika Horibuchi and Dan Rizzo-Orr in View with a Room.
Horibuchi and Rizzo-Orr are painters who understand painting’s ability to deliver a picture; they know too that the window of space a painting depicts is but an ephemeral illusion. Rather than despair at painting’s difficult ontology, these two artists revel in the space between painterly picture and contemporary art object.
Rizzo-Orr simultaneously seduces with both articulated figures and gestural marks while Horibuchi glides between geometric abstraction and trompe l’oeil painting. Each work in View with a Room showcases this painterly range. The singularity of their practices dissolves into a shared interest in the abstract illusions. Working together in a single studio, their seemingly disparate images reveal the unexpected possibilities that may shift across a painting’s surface. This is their View with a Room.
Both Mika Horibuchi and Dan Rizzo-Orr are Chicago-based artists and hold BFA degrees from the School of the Art Institute of Chicago. Horibuchi was born in 1991 in San Francisco, CA and Rizzo-Orr was born in 1989 in Phoenix, AZ

The Height Below work by Elizabeth McCarthy and Soo Shin

Friday, February 6, 2015 - 7:00pm

The Height Below
Elizabeth McCarthy, Soo Shin

“The body is our general medium for having a world.” - Maurice Merleau-Ponty
How do we move forward in the world where there is no definite answer or direction ahead? Often we have to reason and grasp at reality through the debris of our own darkness in which we cannot see our path. The exhibition The Height Below presents Chicago-based artists Liz McCarthy and Soo Shin’s recent works that explore the fear of uncertainty, and the struggle in having faith in something we cannot prove. This collection works reference body and ritual as mediums in search for small epiphanies in the unknown path ahead of them.

Liz McCarthy is an artist and arts organizer based out of Chicago. Her work combines photography, sculpture, and performance to explore our psychological framing of experience. She regularly shows work throughout the Midwest, most recently at the Comfort Station in Chicago. She has participated in residencies such as Atlantic Center for the Arts, ACRE, and High Concept Laboratories, and has been honored with fellowship support from the Joan Mitchell Foundation, Illinois Arts Council, and Chicago’s Department of Tourism.

Soo Shin was born in Seoul, Korea and currently lives and works in Chicago. She holds an MFA from the School of Art Institute of Chicago. She is interested in the uncertainty in having faith in the unknown and turns the psychological struggle into physical experience through the latency of body in her sculpture, painting, and drawing. Her work has been shown in various locations in the states as well as abroad.

Burn It Down> a group show

Friday, September 5, 2014 - 6:00pm to 10:00pm

BurnITcover
BurnITtest

Artist featured include:
Academy Records
Benjamin Zellmer Bellas
Judith Brotman
Ann Chen
Laura Davis
Meg Duguid
Jason Dunda
Andreas Fischer
Charles Fogarty
Jeffrey Grauel
John Henley
Andrew Holmquist
Carol Jackson
Kevin Jennings
Larry Lee
Jinn Bronwen Lee
Steve Reber
Daniel Schmid
Mindy Rose Schwartz

Curated by: Paul Hopkin

Chicago redesigned itself after the Great Fire. That was just the first rebirth of its cultural scene. More recently, there was the grand fire that devastated the River North gallery district in 1989 that gave rise to dirtier, scrappier, more independent artist venues. Other fires, other afters. After always tries to be better.

Sometimes we get impatient. We want better sooner. We want to redo the f****d up parts so the sewage doesn’t back up into our bathrooms. To fix that deeply, we have to clear away.

The fires of our history were terrible accidents that devastated who and what was there. It's an entirely different beast that sets the blaze in defiance. Does the end justify the means? We hardly think so. No guarantee that our end will approximate our better intention, just as likely paving the undesired path.

Christopher Ottinger, Bea Fremderman, Adebukola Bodunrin, and Matt Schlagbaun

Friday, May 16, 2014 - 6:00pm to 10:00pm

Newshow

New work by:
Christopher Ottinger
Bea Fremderman
Adebukola Bodunrin
Matthew Schlagbaum

In the land of thieves and ghosts

Historically, the proto-science of alchemy signified an effort to sublimate base metals into gold, distill life-extending elixirs, and divine universal solvents out of common, household items. Alchemy is a “sciencey” practice that deals in paradox, wonder, and the transmutation of the mundane into the miraculous. Similarly, artists are in the business of creating works that transcend their material origins, pose nebulous questions, and embrace the improbable.

The alchemists of the old world shrouded their work in mystery and mysticism. Alchemical texts, like some artworks, are notoriously inscrutable, often written in a language of symbols only decipherable to their authors. Alchemical artists are not explicitly invested in the practice of being obscure or secretive, but they do encourage speculation concerning the overall meaning of a particular work. Alchemical artists conjure more than they create, summoning unfamiliar apparitions from familiar materials.

Not unlike the specters in one of Etienne Gaspard Robertson’s 19th century phantasmagoria, F.W. Murnau conjured demons and magic for the screen in his 1922 film, Nosferatu. (The phrase, “In the land of thieves and ghosts,” is taken from a title card in the film and refers to the homeland of Nosferatu’s vampiric antagonist, Count Orlok). The flickering of light and shadow in Murnau’s film transports viewers from the black cube of the cinema to a land that is both wondrous and alien. IN THE LAND OF THIEVES AND GHOSTS has similar goals in mind.

Like Murnau, artists Buki Bodunrin, Bea Fremderman, Christopher Ottinger, and Matthew Schlagbaum create works that are at once familiar and strange and that elicit something ethereal from the materials they use in their artistic concoctions. Fremderman and Schlagbaum, for example, frequently make use of construction materials and kitsch artifacts, creating ghostly forms out of readymade objects and images. Bodunrin and Ottinger, conversely, deal more with the interplay of light and shadow, optics and illusion. The spirits they summon function as non-corporeal foils to Fremderman and Schlagbaum’s concretized ghosts.

A contemporary notion of alchemy—mandala-wielding metaphysicians and mystics aside—signifies an impulse towards experimentation and discovery unencumbered by the restrictions of institutionalized thinking. Likewise, the images and objects here are not designed to satisfy a particular hypothesis or prove a theory. Rather, these works represent the unexpected results that can emerge from free-form experimentation and play. Though varied in form, the mark of the alchemist is present throughout the exhibition, lurking in the shadows like the iconic and haunting silhouette of Count Orlok himself.

"Here Lies Space" Aron Gent, Heather Mekkelson, Robert Burnier, Robert Chase Heishman, and Jessica Taylor Caponigr

Friday, April 4, 2014 - 6:00pm to 10:00pm

Here1

HERE LIES SPACE
April 4th-May 11th

work by Robert Burnier, Aron Gent, Heather Mekkelson, Robert Chase Heishman and Jessica Taylor Caponigro

An excursion longer than the journey. A mudslide over a mountain pass. A road sign blown over by the wind. Something taken, put back, and taken again. A badly worn fragment of carpet. An archipelago.

Aron Gent is an artist, photography printer and art organizer residing in Chicago, IL. He received a degree in photography from Columbia College Chicago. Gent is a co-founder of MDW Fair, Director/Founder of printing/exhibition space DOCUMENT and Board member for the ACRE Residency. His photographic work is built around project-oriented investigations including images of family, familial settings, self, and intimates that are both poignantly quotidian and quietly surreal. Gent’s work is in the collection of the Milwaukee Art Museum and has been exhibited at the Hyde Park Art Center, Houston Center for Photography, Chicago Cultural Center and the Kohler Arts Center. His curatorial experience includes Transparent Reflect (2009), an exhibition of nine artists exploring portraiture and self-portraiture, and Hic et Nunc (2008), a survey of new guard photography. He currently teaches photography at the School of the Art Institute and Columbia College Chicago.

Heather Mekkelson lives and works in Chicago. Solo and two-person exhibitions include Now
Slices at 65GRAND, Invisible Apocalypse at Roots & Culture; Heather Mekkelson at +medicine
cabinet; Limited Entry at Old Gold; Debris Field at threewalls; and Out Land at STANDARD (all
Chicago, IL.) Her work has also been in group shows at The Museum of Contemporary
Photography (Chicago, IL), The Figge Art Museum (Davenport, IA), The Poor Farm (Manawa,
WI), Raid Projects (Los Angeles, CA), and Vox Populi (Philadelphia, PA). Mekkelson's work has
been written about in Art Journal, Broadsheet, Time Out Chicago, New City, Chicago Tribune,
Artforum.com and others. In 2012 she became an Artadia Award Chicago awardee.

Robert Burnier is an artist and writer who lives and works in Chicago. He is an MFA candidate in Painting and Drawing at The School of the Art Institute of Chicago and holds a B.S. in Computer Science from Shippensburg University of Pennsylvania. He is currently represented by Andrew Rafacz Gallery, Chicago, and has shown his work in numerous exhibitions in Chicago, New York, Miami and Los Angeles. He writes for Bad at Sports and Chicago Artist Writers, and has lectured at several Chicago area universities.

Born in 1984, Robert Chase Heishman completed his BFA from the Kansas City Art Institute in 2008 and his MFA from Northwestern University in 2012. Utilizing photography, sculpture, and video, his artwork explores self-referentiality, conditions of framing, flatness, and the peripheral. He has collaborated with the Merce Cunningham Dance Company as a Décor Artist on the work, Split-Sides, provided artwork for Icelandic band Sigur Rós’ album BA BA TI KI DI DO, in addition to exhibiting both nationally and internationally. Heishman's work is held in the collections of the Nelson-Atkins Museum of Art and the Walker Art Center. He currently lives and works in Chicago, Illinois.

Before receiving her MFA from the School of the Art Institute of Chicago, Jessica Taylor Caponigro attended Bryn Mawr College where she earned her BA in the History of Art. She has taught classes at the School of the Art Institute of Chicago and Olive Harvey College and currently teaches at Harold Washington College. Caponigro is also the director of Andrew Rafacz Gallery. In addition to solo and group shows in Chicago, her work has been exhibited in Long Beach, Philadelphia, and Rome. Her work is in the permanent collections at California State Long Beach and the Joan Flasch Artists’ Books Collection. More of her work can be seen at www.jtaylorcaponigro.com.

Here2

DOCUMENT presents Layered and Exposed

Friday, February 21, 2014 - 6:00pm to 10:00pm

aaron2

Heaven Gallery and DOCUMENT are pleased to present, Layered and Exposed, a group exhibition with artist’s Elizabeth Atterbury, Scott Cowan, Owen Kydd, Phillip Maisel and Erin Jane Nelson.

Layered and Exposed is a group exhibition exploring collage in contemporary video and photographic practices. The artists in the exhibition vary from studio-based constructions, digitally made collages and visual assemblages made using the camera.

www.wikihow.com/make-a-collage

How to Make a Collage

A collage is a work of art composed of numerous materials, such as paper, newsprint, photographs, ribbons or other objects attached to background support, such as plain paper. A collage can even be made with physical materials or electronic images, attaching them to a digital background. Originating from the French word "coller", meaning "to glue", the collage allows you to experiment with a wide range of materials to achieve amazing end results. This article provides a sample of the many possibilities limited only by your creativity and imagination.

1- Choose a style of collage. By definition, a collage should be made up of several different pieces. Those pieces can be made of all sorts of items, such as paper, yarn, fabric, stamps, magazine cut-outs, plastic, raffia, foil, labels, lids, matchsticks, corks, natural items (bark, leaves, seeds, eggshells, seashells, twigs, etc.), buttons, and so forth. You can either choose one medium such as paper or fabric, or you can make an eclectic mix, such as paper, buttons and foil

2- Choose a suitable backing. While a paper or cardboard backing is the usual choice, the backing can be anything you consider will work well. For example, a backing could be blotting paper, card stock, fabric such as a piece of hessian (burlap), newspaper, old book covers, wood, smooth bark, plastic, etc. If the surface is usable and items can be stuck to it, you can probably use it for making a collage.

3- Hoard the materials for future collages. As you become more proficient at and enthused about making collages, you'll probably start seeing opportunities in all sorts of materials. Be sure to keep a special collage materials box for collecting the pieces in.

Elizabeth Atterbury received her MFA from MassArt in 2011. She has shown her work recently at Bodega (Philadelphia), Tyler School of Art (Philadelphia), The Center for Maine Contemporary Art, and the Chelsea Art Museum (New York, in conjunction with The Collectors Guide, Vol. 2, Humble Arts Foundation). She lives and works in Portland, Maine and is currently a Visiting Lecturer in Art at Bowdoin College.

Scott Cowan lives in LA and is pursuing a masters degree in theology and philosophy. Scott was born in 1986 in Kansas City (he grew up on the Kansas side). His interests include political theology, cultural criticism, philosophy of mind, and investigating the social structures of language. Previously Cowan completed a BA in photography.

Owen Kydd lives and works in Los Angeles. He holds a Bachelor’s degree from Simon Fraser University in Vancouver and a Masters degree from UCLA. His works have been exhibited in soloexhibitions at the Vancouver Art Gallery and Nicelle Beauchene Galleryin New York, and in group exhibitions at the Contemporary Art Galleryin Vancouver, the Surrey Art Gallery, and the Daegu Biennial in SouthKorea.

Phillip Maisel was born and raised in Chicago. He graduated from McGill University in Montreal with a B.S. in Psychology and from California College of the Arts in San Francisco with an MFA in Visual Arts. He is the only two-time recipient of the Yefim Cherkis Scholarship for Photographic Excellence. His work has been shown in galleries both nationally and internationally and is included in multiple collections. Phillip resides in San Francisco, and he teaches photography at California College of the Arts and The Nueva School.

Erin Jane Nelson is an artist and writer based in Oakland, California. She studied at The Cooper Union School of Art, Malmö Art Academy (Sweden), and Oxbow School (Michigan). Recent Projects include Kantan An Libe Tavleau at Forever & Always (Chicago), Love's Labor's 1 at Important Projects (Oakland), Broon published by Gottlund Verlag (Los Angeles), and www.stilllifelive.com.

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