The safety and efficacy of combinations of cialis 20 mg and other treatments for ED have not been studied. When a man is sexually excited, levitra helps the penis fill with enough blood to cause an erection.
12/07/2013 - 8:00pm
12/07/2013 - 9:00pm
Wild Dream: Re-imagining the Ballet Russes
"We are witnesses of the greatest moment of summing up in history, in the name of a new and unknown culture, which will be created by us, and which will also sweep us away"
The Ballet Russes was the impresario Serge Diaghilev's wildest dream. He created an art enterprise that manufactured excitement and celebrated modernism. His theatrical spectacles combined traditional narrative with emerging art, enabling him to promote his taste and making him reputable to his collaborators. He was neither a composer or artist, yet he managed to assert an unprecedented influence on art in the early 20th century.
Serge Diaghilev started his career as an art exhibitor, curating a show of 4000 works in St. Petersburg. He later was part of a collective that created the art journal Mir Iskusstva (World of Art) and held art lectures and discussions. Later he applied his curatorial eye to the ballet, in association with the migration of artists and nobility that fled Russia from the Bolshevik revolution, Diaghilev exported Russian culture and artists to Paris. In 1909 his Ballet Russes was a instant sensation, beginning his legendary collaborations with artists, composers, choreographers and fashion designers. Among his collaborators were Pablo Picasso, Georges Braque, Henri Matisse, Joan Miro, Leon Bakst, Sonia Delaunay, Jean Cocteau, Coco Chanel, Vaslav Nijinsky and Russian composer Igor Stravinsky. The Ballet Russes unification of all mediums made it much more than the ballet, with Picasso's cubism applied to set design and Chanel's simplicity to costume, it gained international fame. With glory also came controversy. Stravinsky's "The Rite of Spring", inspired by Pagan rituals to spring, met with outrage for it's primitive dance and jolting score that ignited the infamous riot in 1912.
Over a hundred years later the cultural phenomenon of the Ballet Russes continues to intrigue with exhibitions popping up all over the world. Recent exhibitions included, When Art danced with Music at the National Museum in Washington D.C 2013, Elegance in Exile:Between Fashion and Costume, the Diaghilev Era at the Palazzo Moceniza Museum in Venice 2011, Diaghilev and the Golden Age of the Ballet Russes 1909-1929 at the Victoria and Albert Museum in London 2010, and Ballet Russes Art of Costume at The National Gallery in Australia 2010, all showcasing the elaborate costumes and visuals from the rich history of The Ballet Russes.
Wild Dream, Renovar's Spring 2014 collection gives in to the daydream of becoming a modern ballerina, inspired by the explosive and kinetic costumes of The Ballet Russes. While maintaining a contemporary context, Renovar pairs sumptuous blasts of color with whimsical styles to recreate spectacle. The costumes are both thrilling and shocking with bold geometry and dripping pearl
$15 sugguested donation
10/18/2013 - 7:00pm
10/18/2013 - 11:00pm
Night Without Sleep
work by Jessica Bardsley, Gwynne Johnson, and Ashley Thomas
Oct 18th- 27th
“… a shadow is a simultaneous memory…”
“From the outset, perception belongs to recollection.”
Night Without Sleep presents a world drawn in shadows, revealing the contours of our guiding drives, passionate attachments, and forgotten remains. Gwynne Johnson’s photographs and objects reveal the unconscious of domestic life through the rhythms of celestial and corporal bodies. Ashley Thomas’s noir-palette drawings and collages depict the objects of her fixation larger than life or swimming in darkness, while Jessica Bardsley’s constellation of archival film and photographs activates historical residue to trace the ocean’s haunted past. The artists of Night Without Sleep remake common objects and archival materials according to their memories, perceptions, and desires, illuminating the periphery of the visible, or quietly revealing what goes unseen by day.
09/13/2013 - 7:00pm
09/13/2013 - 11:00pm
Heaven Presents "Being a Woman in an all Women Show"
I have been accused of secretly wanting to be a man. This comment was made recently during a studio visit with a fellow artist, who saw how uncomfortable and wary I became as she steered our discussion towards gender politics.
I do not harbor the desire to undergo a sex change, but I also do not want to be seen solely as a female artist. It is from this position of defensive resistance in which I find myself "being a woman in an all women show."
There are many ways to experience discrimination in the art world; gender inequality is just one of them. To be defined by one's gender as a female artist is to be limited. A colleague recently brought to my attention the fact that the most reputable galleries here in Chicago all represent far more male artists than female. This inequality is made even worse when one realizes that our city's art schools are enrolling more women than men. An admissions counselor at the School of the Art Institute of Chicago informed me that women compose roughly 70% of its student body. A woman can be trained (and pay for that training) as an artist, but it is not the same as her becoming one. "Being a woman in an all women show" is an effort to make up for this blatant discrepancy.
Not all artists consciously implicate their gender while making their work, and yet gender remains a determinant factor in how artworks are curated and disseminated. It seems unfortunate that an all-female exhibition is unusual enough to serve as a curatorial platform.
With this exhibition, Heaven gallery is pleased to exhibit the work of eighteen artists, who all happen to be women. These are good artists, not good-for-being-female artists. With this exhibition, let us hope that the exceptional work of each artist is seen as expected, and not a surprise.
07/12/2013 - 7:00pm
07/12/2013 - 11:00pm
Over the past 13 years Heaven's has had many incarnations. There was the prepubescent party years with Ed Mar's "Buddy," described by many as the best years of their lives. There was the video and film era with Doug Lussenhop and Eric Fensler's GI Joe video's that went viral before the age of youtube, there was the pre-fence years with movie screened on the back porch, the Pooper art years and the Harold Arts/Joe Jeffers years that helped to define the Heaven style.
Happy Birthday Heaven
Heaven Gallery's 13 year anniversary party will include a silent art auction and art raffle in the main gallery featuring work by over 30 artists.
Best of Heaven, an annual curated show will be in the front gallery.
Music by Soul DJ Ayana Contreras and Joe Jeffers
Best of Heaven show with work by:
Art donated by:
06/14/2013 - 7:00pm
06/14/2013 - 11:00pm
WEIRD DUDE ENERGY is a survey of artist dudes who cultivate the intersection of elegance and Dudeliness. Coursing between the tiles of the weight room’s floor and pulling the foam through a beer bong’s tube there is an energy. In WEIRD DUDE ENERGY an unease transmits through the works like the dissonant proportions cursing the limbs of pubescent boys. Stained with the trauma of puberty WEIRD DUDE ENERGY strikes a balance between restraint and total release. GDBD is drawn to the complicated and embarrassing gestures of Dudehood. Bask in the glory of this Dudery and join GDBD in inviting the WEIRD DUDE ENERGY to wash over us like an enveloping mist of AXE. Can you abide?
Alan and Michael Fleming
05/10/2013 - 7:00pm
05/10/2013 - 11:00pm
“No Stairway to Heaven”
The ubiquity of Led Zeppelin’s 1971 song “Stairway to Heaven” is both impressive and nauseating. Forty years after its release, it continues to receive near constant airplay on terrestrial radio, providing nostalgic affirmation for older generations and a virtuosic canonical reference point for newer audiences. Musically the song is structurally convincing enough to support whimsical and campy lyrics that fetishize a diluted and confused understanding of Anglo folklore, with a few self-referential lines about the genre of rock music and the gestalt of a rock band sprinkled in. A form of low-grade populist poetry, when combined with emotional crescendo, the song becomes legitimate. With the right mix of media saturation, consistency, and myth, the piece becomes legendary, clichéd and parodied. The title of this exhibition comes from a minor scene in “Wayne’s World” (1992), in which Wayne is prohibited from playing the classic rock anthem when purchasing a guitar. A sight gag; the printed sign on the wall that says “No Stairway to Heaven” indicates the scale and absurdity of the problem. The works address topicality and anachronism, in a dialectic between concrete reality and nostalgia. Platonic form, ascetic irony, and sublimated associations allow for this conversation to exist as conflated singular images and objects.
Josué Pellot received his MFA from Northwestern University, Evanston
Josh Reames received his MFA from the School of the Art Institute of Chicago. His work has recently been shown at Circuit 12 Contemporary (Dallas), Devening Projects (Chicago), Dittrich & Schlechtreim (Berlin), Monya Rowe Gallery (NYC), and Andrew Rafacz Gallery (Chicago).
Morgan Sims received his MFA from the University of Wisconsin-Madison in
Ron Ewert received his MFA from the School of the Art Institute of Chicago in 2012. Recent exhibitions include: The Green Gallery and American Fantasy Classics (Milwaukee), The Freies Museum (Berlin), Andrew Rafacz Gallery, Autumn Space and Peregrine Program (Chicago), as well as Monya Rowe Gallery and Launch F18 (NY). Ron Ewert is Co-Director of The Hills Esthetic Center, an exhibition space in Chicago dedicated to emerging local and international artists.
03/29/2013 - 7:00pm
03/29/2013 - 11:00pm
New work by Claire Valdez, Charles Fogarty, and Ilene Godofsky
A show about trust” or new work from Claire Valdez and Charles Fogarty, with work selected from Ilene Godofsky's Wish You Were Here and THIS LANDSCAPE
“A sleazy good time”
Featuring “suggestive photography” and “enthusiastic seating”
"Legions of Brando impersonators have turned his performance in this seminal 1954 motorcycle movie into self-parody, but it's still a sleazy good time."
Organized by Heaven Gallery and Charles Fogarty with thematic inspiration taken from Marlon Brando’s perfect characterization of “Johnny” in László Benedek’s 1953 classic The Wild One, and the paradox of an allegorically dynamic character.
02/15/2013 - 7:00pm
02/15/2013 - 11:00pm
It's not me, It's you> the couple show
Relationships are a natural element of life, and a romantic bond between two artists can lead to fulfilling and complex collaborations. Work, love and creativity are closely interwoven in these intense relationships. Communication and trust are necessary for both the creation of art and love. Art, like love, opens new and inspiring worlds. Ultimately, a couples’ alliance proves to be the ideal alchemy for love and creativity.
“It’s Not Me It’s You” explores romance in art, presenting collaborations by 11 pairs of talented art makers. By creating an amalgam of practice and approach, the archetype of the artist-couple is investigated. This show reveals the cross-fertilisation of concepts and techniques between separate art makers, to make a unified piece of art. Each piece demonstrates collaborative compatibility and addresses the role of compromise in the complex balance of partnership.
New work by:
Drinks by The Hornswagglers
01/11/2013 - 7:00pm
01/11/2013 - 11:00pm
Marissa Lee Benedict
In collaboration with ACRE Residency, this proposed exhibition, to be mounted at Heaven Gallery, combines individual research-based practices that explore varying manifestations of what it means to dig, excavate, and uncover. This exhibition will include three divergent projects from artists Nina Barnett, Marissa Lee Benedict, and Allison Rowe that explore the regional-cultural presence of the subterranean, the socioeconomic infrastructure surrounding sites of excavation, and the performative act of the dig. The projects presented by Benedict, Rowe, and Barnett each explore and complicate dual conceptions of the dig as a performative act and its application to the production and accumulation of cognitive and tangible stock. The primary and most literal conception of what it means to dig investigates the labor of unearthing natural resources and material data and its relation to a global economy that valorizes service and information industries. Meanwhile, a concurrent, metaphorical understanding of the term attends to the unearthing of immaterial resources by addressing the field of research-based practice at large, its inherent interdisciplinarity and its impact on the circulation of information within a global marketplace.
11/03/2012 - 8:00pm
11/03/2012 - 10:00pm
On The Origin of Species
"There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
On the origin of species examines new ideas of god as creative power and art as evidence for creation, while seeking reconciliation between Darwinian evolution and human creation. The show examines the duality of a natural world and a human created world modeled after nature with altered concepts of evolution as creation over time and natural selection and heredity as a mechanism for creative power. The work explores transformations after billions of years, from cell to plant to animal, to conscious beings, claiming man as lineal descendants of creation and pure consciousness. It investigates principles of inheritance, created potential and the human imagination that lead to hereditary modifications engineering mankind to create art and construct meaning. The idea that art mimics creation is manifest in man’s fulfillment in the creative ritual and this act of creation as a sacred act of worship.
Based on the work of Naturalist Charles Darwin, who sought to uncover the mysteries of the earth with his theory of natural selection in which the environment acts as a sieve through which only certain variations can pass, he was left to wonder why natural selection’s unerring power should choose preservation of favorable variation and the question of heredity. He revolutionized biology proposing that all species have a common ancestor, disproving the biblical story of separate creation. Today Darwin is seen as a symbol for atheism however he was not a crusader against religion but rather a lover of science. In 1859 when Origin of species was published he was a theist, then later he became an agnostic but never an atheist.
This season life blossoms from a variety of pattern on pattern, with bold floral, 80's abstract and animal prints. The show highlights Darwin's five year voyage on the H.M.S. Beagle where he found luxurious vegetation and a wide variety of species. The Collection includes blouses with printed illustrations of species taken from from Darwin's books and reconstructed vintage silk clothing, where a 80's silk printed skirt evolves into a blouse and 90's silk dress into a skirt. Nature selects simplistic cuts in saturated color and rudimentary animal tails on beautiful woman.
This will be the fifth collection for Alma Wieser of Renovar, her other shows include, "Chanel Versus Schiaparelli", "Irregular" an homage to Japaneses designers and "Model Assemblage", based on artist Louise Nevelson.
Doors open at 8pm
Soul music by DJ Ayana
$15 suggestion donation